WEAPONIZING NATURE
DENVER | 03.21.2025 - 04.26.2025 |
Artists: Robin McCauley
Opening: Friday, March 21, 6:00 - 8:00 pm Robin McCauley’s work offers a deeply personal perspective on nature and our interconnectedness with it. McCauley’s art brings ancient stories into the modern world, with a focus on ecological themes and the enduring spirit of animals.
WEAPONIZING NATURE
DENVER | 03.21.2025 - 04.26.2025 |
Artists: Robert McCauley
Opening: Friday, March 21, 6:00 - 8:00 pm A distinguished artist and environmental advocate, Robert McCauley presents a new body of work that directly addresses the increasingly dire consequences of humanity’s impact on the environment. In his latest paintings, McCauley captures the raw beauty and fragility of wildlife, urging us to reflect on the human-driven forces that threaten the delicate balance of our planet. His animal portraits—both whimsical and foreboding—create a narrative of ecological tension, inviting viewers to witness the animals as they face an uncertain future, yet still hopeful and resilient.
reCreate
DENVER | 04.25.2025 - 06.07.2025 |
Artists: Adonna Khare
Opening Celebration: Friday, April 25th, 6:00 - 8:00 PM
After the Flood
DENVER | 04.25.2025 - 07.07.2025 |
Artists: Robin Crofut-Brittingham
Robin Crofut-Brittingham creates large-scale works on paper that explore the complex relationship between humans and nature, with a focus on overconsumption and environmental degradation. Her paintings envision a future where humans and nature coexist in a fragile balance, drawing on mythology, speculative fiction, and current events to construct alternative narratives. Through intricate landscapes and symbolic imagery, her work examines the tensions between human expansion and the natural world. Her latest series explores the symbolic flood as both a destructive force and a moment of renewal, referencing myths from the biblical story of Noah to the Mesopotamian epic of Gilgamesh. In these works, the flood represents transformation and rebirth in the wake of environmental collapse, imagining a future where humanity is no longer dominant. Presented in monumental, multi-paneled frames inspired by traditional altarpieces, these works evoke the reverence of religious art while critiquing humanity’s tendency to idolize and exploit nature. By confronting viewers with both the devastation of overconsumption and the potential for renewal, Crofut-Brittingham prompts reflection on survival, redemption, and the evolving human-nature